1965-70 Holmegaard (Denmark) Smoke Glass Vase by Per Lutken (signed)

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Retro Glass - Scandinavian : Holmegaard/Kastrup Glass : 1965-70 Holmegaard (Denmark) Smoke Glass Vase by Per Lutken (signed)

1965-70 Holmegaard (Denmark) Smoke Glass Vase by Per Lutken (signed) - HOLME-SMOKEVASE

£50.00

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Here is a beautiful mould-blown vase in smoke glass designed by Per Lutken - signed to the base with 'Holmegaard', Per Lutken's monogram and '15391' which dates this vase to between 1965 and 1970. With a fabulously thick polished rim (see close-up) and an extremely thick base this is an elegant piece of retro glass. Please see all photographs for alternative views and close-ups.

SIZE: Height 9in/23cm Weight 900g

CONDITION: Nice original condition with no chips, cracks or fleabites - however there is some clouding to the glass towards the lower middle section - I couldn't photograph it but it can be noticed if the vase is held up to the light. Very hard to see under normal conditions/use but has been reflected in the price.

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Retro Glass - Scandinavian

This section concentrates on bringing you a selection of iconic, retro/vintage glass from Holmegaard (Denmark) and where possible include work designed by Verner Panton, Otto Brauer, Per Lutken, Jacob Bang, Michael Bang, Helena Tynell, Nanny Still, Tamara Aladin, Piet Hein, Tapio Wirkkala, Timo Sarpaneva, Kaj Franck, Sven Palmqvist, Vicke Lindstrand, Nils Landberg, Erik Hogland, Paul Kedelv and Erkitapio Siiroinen amongst others.

The Scandinavian glass manufacturers of the post 1950 period are famous for their use of innovative design and their stand against the increasing trend towards ‘throwawayism’. They employed revolutionary and forward thinking designers - some of whom took advantage of the brilliant reflective qualities of glass by producing thick-walled, organic forms with surface textures like ice, frost and bark - inspired by the landscape and now considered trademark Scandinavian design. With other Scandinavian glass designers at the same time producing obversely pared down designs with fine smooth surfaces, cool colours and simple shapes – the key to their designs being simplicity, practicality and functionality. Art and function being equally important.

The major glass designers of this period were prolific and incestuous – moving between the different manufacturers, working with each other and with the manufacturers themselves merging and taking each other over. Many of the designers didn’t restrict themselves artistically and successfully combined the different disciplines of poetry, geometry, graphic design, mathematics, art, sculpting, woodcarving, glassmaking, ceramics, cast iron work and even banknote design. They felt able to express their creativity freely and were generally given tremendous support by their employers resulting in their innovative artistry helping their companies to periods of glory and international recognition.

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Holmegaard/Kastrup Glass

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